Shauna will sing in the Chorale of the Philharmonia Baroque Orchestra for performances of Händel’s Alceste.
Shauna will sing in the Chorale of the Philharmonia Baroque Orchestra for performances of Händel’s Alceste.
Shauna will sing in the Chorale of the Philharmonia Baroque Orchestra for performances of Händel’s Alceste.
Shauna will sing the alto solo in the 4th movement of Beethoven’s celebrated 9th Symphony (Ode to Joy). The program also includes excerpts from Carmina Burana and other favorite selections.
Free admission. More information.
Shauna will sing the alto solo in the 4th movement of Beethoven’s celebrated 9th Symphony (Ode to Joy). The program also includes excerpts from Carmina Burana and other favorite selections.
Free admission. More information.
Shauna will sing in the ensemble for Cantata Collective’s performance of the St. Matthew Passion, commemorating Bach’s 340th birthday.
Shauna will sing the alto solos in Bach’s Mass in b minor with San Francisco Choral Society, under the direction of Robert Geary.
Shauna will sing the alto solos in Bach’s Mass in b minor with San Francisco Choral Society, under the direction of Robert Geary.
Shauna will sing the role of Orphea in this workshop presentation of Anne Hege’s new Laptopera ‘The Glance.’
Shauna sings in the ensemble of American Bach Soloists for a full performance of Händel’s Messiah under the direction of Jeffrey Thomas.
Shauna will sing in the ensemble of American Bach Soloists in performances of Bach’s Christmas Oratorio and part one of Händel’s Messiah, under the direction of Jeffrey Thomas.
Shauna will perform Händel’s Messiah as a member of the San Francisco Symphony Chorus, under the direction of Stephen Stubbs.
Shauna will perform Händel’s Messiah as a member of the San Francisco Symphony Chorus, under the direction of Stephen Stubbs.
Shauna will sing the alto solos in Mozart’s Requiem and Solemn Vespers with Chora Nova, under the direction of John Kendall Bailey
Shauna will sing the alto solos in Haydn’s Lord Nelson Mass with Soli Deo Gloria, under the direction of Allen H Simon.
Shauna will sing the alto solos in Haydn’s Lord Nelson Mass with Soli Deo Gloria, under the direction of Allen H Simon.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna will sing the alto solos in Bach’s ‘Magnificat in D’ and Mozart’s ‘Requiem’ with Masterworks Chorale, under the baton of Bryan Baker. This performance is a collaboration with Peninsula Ballet Theater.
Shauna will sing the alto solos in Bach’s ‘Magnificat in D’ and Mozart’s ‘Requiem’ with Masterworks Chorale, under the baton of Bryan Baker. This performance is a collaboration with Peninsula Ballet Theater.
Shauna will perform in the ensemble of Bach’s ‘Magnificat in D’ and ‘Easter Oratorio’ with Cantata Collective, under the baton of Nic McGegan. The performance will be recorded for commercial release.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna will sing in the inaugural concerts of new professional vocal ensemble Vox Humana, conducted by Don Scott Carpenter. She is featured in Mendelssohn’s ‘Die Deutsche liturgie.’
The program includes music by Brahms and Copland alongside more recent works by Reena Ismail and Algirdas Martinaitis. One notable draw is “Canticum Calamitatis Maritimae,” a 1997 work by Finnish composer Jaakko Mäntyjävi that draws on a Latin-language radio broadcast covering news of a shipwreck in the Baltic Sea.
Shauna will sing in the inaugural concerts of new professional vocal ensemble Vox Humana, conducted by Don Scott Carpenter. She is featured in Mendelssohn’s ‘Die Deutsche liturgie.’
The program includes music by Brahms and Copland alongside more recent works by Reena Ismail and Algirdas Martinaitis. One notable draw is “Canticum Calamitatis Maritimae,” a 1997 work by Finnish composer Jaakko Mäntyjävi that draws on a Latin-language radio broadcast covering news of a shipwreck in the Baltic Sea.
Shauna joins American Bach Choir and American Bach Soloists for performances of Händel’s Messiah under the direction of Jeffrey Thomas.
Shauna joins American Bach Choir and American Bach Soloists for performances of Händel’s Messiah under the direction of Jeffrey Thomas.
Shauna joins the American Bach Choir and American Bach Soloists for Part 1 of Händel’s Messiah and Charpentier’s Messe de Minuit under the direction of Jeffrey Thomas.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins the Philharmonia Baroque Chorale for performances of Purcell’s ‘Dido and Aeneas.’
Shauna joins the Philharmonia Baroque Chorale for performances of Purcell’s ‘Dido and Aeneas.’
Shauna will sing the alto solos in Part 1 of Handel’s Messiah and you will sing the choral parts conducted by John Emory Bush. Scores will be provided if you don’t have your own. Let’s sing together!
Shauna joins the Philharmonia Baroque Chorale for performances of Errolynn Wallen’s ‘Dido’s Ghost’ under the direction of John Butt.
From Philharmonia Baroque:
Reinvention has always been a theme within classical music - be it Handel blatantly reusing his own tunes, Mendelssohn giving us his own take on Bach, or Stravinsky ‘remixing’ the classical form. Bringing that tradition right up to date is Dido’s Ghost, effectively providing a sequel to Purcell’s masterpiece Dido and Aeneas, which is performed in its entirety, as if a flashback, in Wallen’s work. Dido’s Ghost bridges worlds and eras, and past blurs into present in an acclaimed new opera that’s direct from premiere performances in London and Edinburgh.