Shauna will sing the alto solos in Haydn’s Lord Nelson Mass with Soli Deo Gloria, under the direction of Allen H Simon.
Shauna will sing the alto solos in Haydn’s Lord Nelson Mass with Soli Deo Gloria, under the direction of Allen H Simon.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna joins the San Francisco Symphony Chorus for a live performance of the beloved film Lord of the Rings: The Fellowship of the Ring.
Shauna will sing the alto solos in Bach’s ‘Magnificat in D’ and Mozart’s ‘Requiem’ with Masterworks Chorale, under the baton of Bryan Baker. This performance is a collaboration with Peninsula Ballet Theater.
Shauna will sing the alto solos in Bach’s ‘Magnificat in D’ and Mozart’s ‘Requiem’ with Masterworks Chorale, under the baton of Bryan Baker. This performance is a collaboration with Peninsula Ballet Theater.
Shauna will perform in the ensemble of Bach’s ‘Magnificat in D’ and ‘Easter Oratorio’ with Cantata Collective, under the baton of Nic McGegan. The performance will be recorded for commercial release.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna joins the San Francisco Symphony Chorus for performances of Scriabin’s ‘Prometheus.’ This multi-sensory performance is a collaboration with Cartier and includes lighting and scent.
Shauna will sing in the inaugural concerts of new professional vocal ensemble Vox Humana, conducted by Don Scott Carpenter. She is featured in Mendelssohn’s ‘Die Deutsche liturgie.’
The program includes music by Brahms and Copland alongside more recent works by Reena Ismail and Algirdas Martinaitis. One notable draw is “Canticum Calamitatis Maritimae,” a 1997 work by Finnish composer Jaakko Mäntyjävi that draws on a Latin-language radio broadcast covering news of a shipwreck in the Baltic Sea.
Shauna will sing in the inaugural concerts of new professional vocal ensemble Vox Humana, conducted by Don Scott Carpenter. She is featured in Mendelssohn’s ‘Die Deutsche liturgie.’
The program includes music by Brahms and Copland alongside more recent works by Reena Ismail and Algirdas Martinaitis. One notable draw is “Canticum Calamitatis Maritimae,” a 1997 work by Finnish composer Jaakko Mäntyjävi that draws on a Latin-language radio broadcast covering news of a shipwreck in the Baltic Sea.
Shauna joins American Bach Choir and American Bach Soloists for performances of Händel’s Messiah under the direction of Jeffrey Thomas.
Shauna joins American Bach Choir and American Bach Soloists for performances of Händel’s Messiah under the direction of Jeffrey Thomas.
Shauna joins the American Bach Choir and American Bach Soloists for Part 1 of Händel’s Messiah and Charpentier’s Messe de Minuit under the direction of Jeffrey Thomas.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins Philharmonia Baroque Chorale for Six Centuries of Christmas.
From Philharmonia Baroque:
Be inspired, transported and uplifted in this, a journey through no less than 600 years of music celebrating Christmas. From Pachelbel’s beloved Canon, heard afresh on our period
instruments, through to the rich, melting harmonies of Tchaikovsky and John Taverner’s spare, haunting, The Lamb, plus a brand new piece by Roderick Williams, written especially for the occasion. Music that will resonate with you for long after the concert, and a perfect start to the Holiday season.
Shauna joins the Philharmonia Baroque Chorale for performances of Purcell’s ‘Dido and Aeneas.’
Shauna joins the Philharmonia Baroque Chorale for performances of Purcell’s ‘Dido and Aeneas.’
Shauna will sing the alto solos in Part 1 of Handel’s Messiah and you will sing the choral parts conducted by John Emory Bush. Scores will be provided if you don’t have your own. Let’s sing together!
Shauna joins the Philharmonia Baroque Chorale for performances of Errolynn Wallen’s ‘Dido’s Ghost’ under the direction of John Butt.
From Philharmonia Baroque:
Reinvention has always been a theme within classical music - be it Handel blatantly reusing his own tunes, Mendelssohn giving us his own take on Bach, or Stravinsky ‘remixing’ the classical form. Bringing that tradition right up to date is Dido’s Ghost, effectively providing a sequel to Purcell’s masterpiece Dido and Aeneas, which is performed in its entirety, as if a flashback, in Wallen’s work. Dido’s Ghost bridges worlds and eras, and past blurs into present in an acclaimed new opera that’s direct from premiere performances in London and Edinburgh.
Shauna will sing the alto solos in Beethoven’s Mass in C with Stanford Symphonic Chorus, under the direction of Stephen Sano. The mass is paired with Beethoven’s Symphony no. 7.
Shauna will sing the alto solos in Beethoven’s Mass in C with Stanford Symphonic Chorus, under the direction of Stephen Sano. The mass is paired with Beethoven’s Symphony no. 7.
Shauna will present Elgar’s ‘Sea Pictures’ with the Oakland Civic Orchestra under the baton of Martha Stoddard.
The orchestra will also present Berlioz ‘Waverly Overture’ and Brahms ‘Symphony no. 3’
Shauna will join the chorus of the San Francisco Symphony for performances of Beethoven’s Ninth Symphony under the baton of Michael Tilson Thomas.
Shauna will join the chorus of the San Francisco Symphony for performances of Beethoven’s Ninth Symphony under the baton of Michael Tilson Thomas.
Shauna will join the chorus of the San Francisco Symphony for performances of Beethoven’s Ninth Symphony under the baton of Michael Tilson Thomas.